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• Darksichord is a free rompler VST, VST3, Audio Unit plugin developed by Electronik Sound Lab. Compatible OS(s): Windows 64b, macOS. Darksichord is a free plugin instrument for Windows and Mac users. Darksichord featuring a multi-sampled Harpsichord, processed with several layers of sound and effects to give it a darker sound.
• The SONiVOX DVI Harpsichord is a faithful reproduction of the real thing- right down to the lightly percussive thunk when you release the keys. Import a slice of European nobility straight to your computer for a fraction of what Mozart's father paid.
• Best Harpsichord VST Sample Libraries EVER! Are you looking for a great sounding harpsichord VST plugin or sample library to use in your music compositions? Harpsichords are perhaps not used too often, but due to their sharp attack and unique sound, they work excellent for certain situations.

We currently offer free instruments as part of two projects: 'KIViR' (Keyboard Instrument Virtual Restoration) and “Bells and Carillons”.
The KIViR project contains ancestors of the piano (clavichord, cimbalom, harpsichord), historical pianoforte and pianos.
The Bells and Carillons project contains church bells, carillons and tubular bells.

Below is a detailed description of these.

KIViR instruments

Clavichord

Clavichord: Neupert

This is a physically modelled virtual copy of clavichord Neupert (1941) which is based on a 'Modell Philipp Emanuel Bach'. It was provided by the Kremsegg Schloss Museum (Kremsmünster, Austria).

The clavichord, invented in the early 14th Century, is a predecessor to the piano and to the more recent clavinet. It is a popular instrument for playing music from the Renaissance and Baroque period, but can in fact also be found in other more modern music styles such as in recordings by Oscar Peterson, Keith Jarrett, Tori Amos and TheBeatles.

Cimbalom

Cimbalom: Kovács

This is a physically modelled virtual copy of cimbalom Balázs Kovács (2007).

The cimbalom belongs to the ancestor psaltery, quoted in the bible. The psaltery was later developed into different variants which differed in sound but were similar in their constructive concept. One of these, the cimbalom, was a constant member of gypsy orchestras. Legs and a damper pedal were soon added to the instrument and it reached the status of concert instrument in the 19th Century, thanks to Ferenc Erkel and Franz Liszt.

Contrarily to the piano, pressing down a key does not lift the corresponding damper. Hence, unless the pedal is depressed, all notes are immediately dampened.

Harpsichords

Harpsichord: Grimaldi

This is a physically modelled virtual copy of a harpsichord by Carlo Grimaldi dating from 1697, copied by Andrew Wooderson (Bexley, 2007). Typical of a short-scaled Italian instrument it has a crispness of attack and transparency of tone that makes it ideal for continuo use, and is also well suited to 17th and 18th Century Italian and German solo repertoire. Its two registers can be played separately or combined together.

Harpsichord: Blanchet

This is a physically modelled virtual copy of harpsichord François-Etienne Blanchet, 'Château de Thoiry' (1733), copied by Anthony Gale (Frampton Cotterell, UK, 1993). It has a very delicate sound, inviting for inspiring musical moments from the baroque period representative by great masters such as Scarlatti, Bach and Händel.

Pianoforte

Pianoforte: Walter

This is a physically modelled virtual copy of an Anton Walter pianoforte. https://ameblo.jp/crouchwealsofttest1970/entry-12632858758.html.

Anton Walter (1752-1826) was an important and famous Viennese instrument builder. He was a friend of Wolfgang Amadeus Mozart who owned one of his instruments and often used it in concerts. Ludwig van Beethoven also belonged to those who often praised the solid quality. By improving the Viennese pianoforte action, Walter managed to build instruments with a slightly more powerful sound than that of his competitors. The instruments are often used today as models for the construction of authentic copies.

Pianoforte: Schöffstoss

This is a physically modelled virtual copy of pianoforte Donat Schöffstoss, 1812, recorded at Schloss Kremsegg, A-4550 Kremsmünster, Austria. Schöffstoss offered the delicate Viennese action which gives it a slightly gentler sound than the more sturdy English variants.

Pianoforte: Schmidt

This is a physically modelled virtual copy of pianoforte Johann Evangelist Schmidt, Salzburg about 1790, recorded at Handelhaus, D-06108, Halle, Germany. This hammerflügel variant became appreciated by the contemporaries because of its beautiful and even sound, its outside elegance and affordable price.

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Pianoforte: Schantz

This is a physically modelled virtual copy of pianoforte Johann Schantz, Vienna, ca 1790, recorded at Schloss Kremsegg, A-4550 Kremsmünster, Austria. Like many other fortepianos of its period, it is very lightly constructed and has much smaller hammers and thinner strings than a modern piano. Beethoven described it as good and durable and he recommended them to his friends.

Pianoforte: Graf

This is a physically modelled virtual copy of pianoforte Conrad Graf, Vienna, 1826, recorded at Schloss Kremsegg, A-4550 Kremsmünster, Austria. The Graf pianofortes were held in high esteem, and soon were considered the greatest and most renowned in Vienna and throughout the empire. Beethoven was particularly fond of these.

Grand pianos

Grand piano: Pleyel

This is a physically modelled virtual copy of grand piano Pleyel, model F (1926). Chopin preferred to compose and perform on Pleyel pianos and it was also used by other major composers, such as Debussy, Ravel and Stravinsky. The Pleyel sound can be described as round, warm and sensual.

Grand piano: Erard

This is a physically modelled virtual copy of piano Sébastien Erard, a half grand (2 m), serial number 109 933 (1922). It has an extraordinary warm and coloured sound with lots of charm, and is equipped with a very delicate una corda pedal. We tried to be as close as possible to the original instrument, including some small 'defaults' in the bass strings. The instrument suits naturally well for Liszt who loved playing on Erard.

Electro-acoustic

Electro-acoustic piano: CP-80

This is a physically modelled virtual copy of an electro-acoustic Yamaha CP-80, serial number 1982. The CP-80 was a very popular stage piano at the time (1976-1985) with a unique sound and with an authentic grand piano action. It was marketed by Yamaha as a touring friendly and electronically amplified variant of a grand piano. It was famous for its rock solid quality and considered by many as the 'Rolls Royce' of the electro-acoustic pianos.

Bells and carillons

Tubular bells

This is a virtual copy of a Tubular bells.

The add-on is modelled after a Bergerault 18 Note concert chimes which is made of brass tubes of graded length that are tuned to a chromatic scale. The instrument appeared for the first time in England in the late 19th Century and is ever since part of major symphonic orchestras. Vst vst3 plugins. The add-on includes 3 variants and has an extended note range: 5 octaves instead of the usual 1½ octave. Best free ambient synth vst reddit.

Church bells and carillons

This is a virtual copy of bells and a carillons that were recorded at the European Bell Institute.

The use of bells in the Christian church goes back to the early Middle Ages. A bell is an idiophone, that is, a musical instrument which produces a vibration. The bell is in fact one of the loudest of musical instruments. The sound has the power to bring many mixed feelings derived from our experiences connected to it: joy, happiness, grief, fear, relief, revelation, excitement, amazement.

Special acknowledgments to the following instrument owners:

• C. Bechstein Digital, Germany (C. Bechstein DG)
• J. Blüthner Pianofortefabrik GmbH, Germany (Blüthner Model One grand piano)
• Grotrian Piano Company GmbH, Germany (Grotrian Concert Royal grand piano)
• Peter Karsten, Germany (Karsten collection)
• Daniel Parisot, France (Hamburg Steinway D)
• PETROF, spol. s r.o., Czech Republic (Ant. Petrof)
• Steingraeber & Söhne Piano Manufactory, Germany (Steingraeber E-272)
• Steinway & Sons, USA (New York Steinway D)
• Michel Armengot, France (CP-80)
• Paul Badura-Skoda, Austria (Walter)
• ???, UK (Grimaldi, François-Etienne Blanchet)
• Olivier Cussac, France (Rhodes MK1, Wurlitzer 200A, Clavinet D6)
• European Bell Institute, France (Bells)
• Luigi Gaggero, Italy (Cimbalom)
• Haendelhaus, Germany (Schmidt)
• Monique Niebisch, France (Sébastien Erard)
• Christophe Nebout, France (Pleyel model F)
• Orchestre du Capitole de Toulouse, France (Celesta, Glockenspiel, Marimba, Xylophone, Tubular bells)
• Gilbert O'Sullivan, UK (Carl Bechstein)
• Kremsegg Schloss, Austria (Neupert, Schöffstoss, Schantz, Graf)
• Pascal Gaillard, France (Steel Drum)
• Marc Guilliou, France (Spacedrum, Hand Pand, Tank Drum)
• Klaus P. Rausch, Germany (Electra-piano, Pianet T)

Harpsichord for Kontakt recorded in a studio live room using three mic positions.
Includes a full mixer, effects and settings to control every detail of the sound.

Harpsichord library for Kontakt

The harpsichord was widely used in Renaissance and Baroque music. During the late 18th century, it gradually disappeared from the musical scene with the rise of the piano. In the 20th century, it made a resurgence, being used in historically informed performance of older music, in new (contemporary) compositions, and in popular culture.

Recorded with 3 microphone positions: close, decca and outrigger. 4 round robin, all notes sampled (no pitch shifting), time based release samples. Behaviour, sound and playability faithfully replicated.

Why you'll love Demonic Virtuoso

A deep representation of the sound of a baroque harpsichord for Kontakt.

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Sound

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Sampled using the finest microphones and preamps, in a live recording studio room. Using a perfectly tuned harpsichord in mint state.

Mic positions

Includes close, mid and far microphone positions that you can control individually and blend to the needs of your song.

Resonance

A rich and pristine sounding instrument is very important, but the most important thing to make it sound real and alive is the resonance.

In action

Hear how Demonic Virtuoso sounds in the context of a full song or in solo.

Credits

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Tracks by Elliot Smith, François Couperin and Bach.

• Mixer

  Demonic Virtuoso features a full mixer with which you can control the three mic positions separately.
  

  With a load/purge switch for each channel, pan, width, volume, mute, solo, phase shift and output selector for mixing the different channels in your DAW.

• Effects

  In the effects page you can add any effect you want in any order.

  Including EQ, compressors, modulation effects, distortion, saturation, tape machine, reverbs, amp simulators and more.
  This script boosts the sonic capabilities of the library exponentially. Easy to use in a simple and intuitive design.

• Settings

  From the settings page you can control any parameter that you might ever need.

  Round robin, dynamic range, velocity curve, volume of the release samples and sample start.

Round robin:

4

Works with

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Kontakt 5.7.3 - Full version required.
Kontakt Player will run in demo mode.

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Get Demonic Virtuoso now!

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And start playing this harpsichord in a matter of minutes.
For the full version of Kontakt only.