My name is Michael Stockwell, I’m a British songwriter & producer based in London. I’m going to make a Pro Tools First review where I’ll cover the look, feel & functionality of it and see what the Pro Tools First limitations and strengths are when compared to the Pro Tools 2018 full version.

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First Thoughts on Pro Tools First

Ok, let’s jump in. Firstly, I’m going to be testing Pro Tools on Mac. I’m using a MacBook Pro 2.8 GHz Intel Core i7 and an Apollo Twin, two pretty industry standard hardware systems for running any music software.

So I really like the simplicity of the Pro Tools First download from the Avid marketplace, It’s quick and easy, no faffing around. All you need is an email and you’re good to go. Although, it would be a good idea for you to look up the Pro Tools First system requirements before you go ahead.

I already have a Pro Tools account so everything was really fast for me to set up. If you are new to this though, you’ll need to do create a Pro Tools First sign up/account. Also, If you’re using Avid and want to use the full version of Pro Tools First, iLok is a requirement, so keep that in mind. However, you can use the Pro Tools First app without this. Avid has some helpful information online on how to activate pro tools first licenses using the iLok Cloud.

Before you start using the software you need some sort of audio interface. This simply is something you plug your mic and guitars/keys/bass or whatever you want into. The audio interface converts the digital signal into audio. You also plug your headphones and speakers into it. You don’t need anything crazy to start off with, Pro Tools make some really great ones.

I’ve owned a few from the Mbox family, But there are loads on the market which do the same job. USB versions are great for starting off.

Going Hands Down

On opening the free software it looks great. A little different from the full version as expected, maybe slightly cheaper looking, I’m talking specifically about the faders; still cool but looks like a slightly older version. All in all, it’s very similar, just slightly fewer options on some of the main functions as I look around quickly.

On loading an instrument track I notice the only option I have is Xpand. It’s a really great soft synth, you can pretty much reach for any instrument you could think of, but at this point, I’m really missing the piano that comes with the full version. You can see that there are very few Pro Tools First plugins.

It’s my go-to instrument for songwriting or starting most projects. Xpand is the only synth available and there’s no option for another virtual instrument which is a little disappointing.

Not only that, when trying to import a third party virtual instrument just for kicks I’m quickly shut down, they don’t allow this so it’s Xpand or nothing. They’ve also included a load of free bundled loops available which is useful for getting any project started.

The Comparison

The MIDI is the same as the full version which is great, very easy to use and familiar. I feel that Pro Tools have really stepped up their game with MIDI in the past few years. There is one big drawback with this version though. When I try to bounce the MIDI to audio it won’t let me.

This is quite annoying as you really can’t do anything creatively with MIDI editing tools the same way as with audio. This is essential for any creative producer to be original and unique from the get-go. It does let you freeze midi like the full version which is cool for space saving but then again, you can’t do anything with frozen MIDI.

The plugins are simple, nothing really going on here. Starting with the compression, It’s great for beginners, but you’ve only got one to choose from, really basic stuff. Same goes for the EQ, It’s awesome and I use it all the time in the full version in pretty much every record I make. But it’s a tiny taste of what the full version can offer.

Let’s go to the mix window now. The number of tracks is always important when making music I think, as I try and go past 16 tracks it stops me. You could very quickly use up at least 10 track nowadays for just drums, So this version has huge limitations here.

Check-Out of the Effects

Ok let’s talk effects: You’ve got one reverb and one delay; quite disappointing. Although with a bit of talent and imagination you can do some crazy things with just these, most music producers are going to get bored very quickly with this. It doesn’t allow any third party plugins like Waves or Apollo but I guess that’s the point, It’s all geared up to get you to move to the full version.

When you’ve filled up your 16 track masterpiece and thinking of bouncing it’s still very easy, just like the full version. The big difference is it doesn’t have the mp3 option, which let’s be honest, we all need. So it’s just WAV format for now.

If you’re just starting out or have never owned a DAW and want to try recording for the first time without spending any money then I would say this software is for you. On that basis, it’s awesome because it’s so basic.

One compressor, one EQ and one virtual instrument. It’s not confusing you with a crazy amount of options. After all, I recorded for about ten years without the use of any compression or the ability to cut, move and chop things up in a digital system.

You also have the same sound quality as most hit records are made with these days. If you’re more advanced and want something simple just for writing or getting those ideas down then this is so ideal. You’re not gonna be able to make the next Daft Punk record on it but you could certainly write the next ‘Get Lucky’ demo on it.

So when it comes to comparing Pro Tools First vs Pro Tools specs, the important things to know are:

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You also have to have into consideration the main difference, which is the price. As mentioned before, Pro Tools First is completely free, while an up-to-date Pro Tools subscription starts at £20.25 a month (not including any add-ons).

In Summary, I would say Pro Tools First is a great taste of the full version, especially for the look and feel of it. If you just starting out this is the DAW for you. However, it might put some more advanced producers off who are looking for something different from ‘Logic’ or ‘Reason’ with how little plugin-ins & VST instruments are included in this version. But take it from me, don’t let this put you off. The full version is top notch!

If you are still not 100% clear on which Software would best suit your needs, you can always get in contact with another producer to help you with your tracks. Why not check out our World-Wide Marketplace with 1000s of professional artists, producers and musicians? Get a Free Trial now!

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File creation

There are several ways to create a folder. You can choose to create the folder track and add tracks first, or you can create a folder based on your track selection. To create an empty folder track, simply use the New Tracks dialog box, where you can create a base folder or a routing folder.

Open and close file tracks

Once the folder tracks have been created, all you have to do to open and close them is to click the folder icon next to the title name, either in the Mix window or in the Edit window, or by clicking the triangle next to the name in the track view. . There is also a keyboard shortcut. Shift + f opens or closes the track (s) of the selected folder.

Measured

You will notice that both types of folder tracks have signal indicators. It’s just about showing all running activities with all tracks in the folder: green for audio and yellow for MIDI. Of course, a routing folder has regular track indicators that measure the audio transmitted through the folder. However, these indicators only play the audio that was specifically routed through the folder while the signal indicator is showing. Indicates whether a track in the folder contains sound.

Solo and silent

The logic for soloing and locking differs between the base folders and the routing folders. If you solo a base folder or a routing folder track, the members will not be muted. The solo of a member of the base folder corresponds to pressing Solo on this track and was not in a folder. However, a routing folder behaves differently because audio is routed through the track. If you solo a member of a routing folder, its folder will not be muted. This way, you can create tracks for solo members without worrying about the safety of solos.

Muting a base folder will mute all members. However, if you cut a routing folder, only the audio output from that folder will be cut off. This is an important difference, because if you have tracks in a routing folder that are routed elsewhere, the sound of those tracks will be retained even if the routing folder is cut off.

Editing

A very nice function of folder tracks is the possibility to execute editing commands for tracks that are in a closed folder. For example, if you make a selection in the closed folder track, you can copy it and paste it elsewhere in the timeline. This is examined in other articles on music workflows and publications.

Conclusion

I hope this has been a useful introduction to folder tracks and their implementation in Pro Tools. Dive in and try it for yourself and see how much better your sessions are!

Pro Tools System Requirements Windows

Before you start Pro Tools, make sure your PC meets minimum system requirements.

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• Windows: Windows 10 or Higher.
• CPU: Intel Core i5 or later.
• Memory (RAM): 4GB of RAM required.
• Hard Disk Space: 15 GB of free space required.
• Display: 1280 × 768 screen resolution, 32-bit color.

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